James A. Murray was passionate about preserving the location and history of Serra’s first mass in Northern California. He commissioned a large granite shaft to mark the location – using famed sculptor Douglas Tilden to capture Serra’s profile and the Carmel Mission. He acquired Leon Trousset’s First Landing and allowed it to be printed in promotional pamphlets for the region, and his wife commissioned a poem by Mary Sullivan Spence to capture the history and present of the oak which graced the Monterey landscape for centuries. It was also the wife who likely donated the Trousset to the Carmel Mission in 1922, a year after Murray’s passing.
Below is a transcription of Spence’s poem, accompanied by a postcard and photos of Murray’s monument and painting.
The Passing of an Oak
By Mary Sullivan Spence
Paul Elder & Company
Publishers – San Francisco
FOREWORD
CLOSE TO THE MONTEREY SEA-SHORE, ON THE HIGH ROAD BETWEEN MONTEREY & PACIFIC GROVE, A LITTLE WEATHER-BEATEN OAK STOOD FOR A CENTURY & A HALF; RENOWNED IN CALIFORNIA’S HISTORY AS THE TREE UNDER WHICH FATHER JUNIPERO SERRA LANDED AND SAID MASS. AS IT WAS ATTACKED BY THE ENGRAVING-BEETLE, ITS DECAY NECESSITATED ITS REMOVAL THREE YEARS AGO. A STONE SHAFT, ERECTED BY MR. JAMES A. MURRAY OF MONTANA & ALSO OF MONTEREY, MARKS THE SPOT WHERE IT ONCE STOOD.
It was but a wistful thing,
It was but a little tree,
Sad with much remembering,
Old and wind-bent near the sea;
In a sheltering hollow set,
Out of touch with worldly fret
And the stress of years to be;
Gulls wheel near the lone retreat–
Near-by breezes seaward urge
White sails of the fishing fleet–
Not a stone’s throw from the verge,
Barrack’s-road and village meet,
Where the guarding sentry’s gun
Glints beneath the moon and sun,
At the foot of road which winds
To the hill o’erhead, and finds
Monterey’s Presidio spread,
Listening to the bold Bay’s tread.
Years agone the dust soared high
When flashed by the steed of Don,
Or Vaquero galloped by,
And the ox-cart rumbled on–
These the gray Oak gazed upon:
Gobernadores sought the shade,
Riding by it now and then;
Commandantes there delayed,
And the dust wreaths floated when
They spurred past it with their men;
Dust that laid on Serra’s tree,
In its robe of sea-mist pale,
The gray crown of history
And the queenship of the vale.

Murray purchased this painting from a French capitalist who won the canvas in a raffle in San Francisco.
Queenship of the dying, laid
On that vanishing sweet shade,
While its shell stood, frail and old,
Did the human tide that rolled
Past it, with indifferent gaze
Of these cruel latter days,
Reck that underneath that Oak–
Once a meek Franciscan’s fane–
Western empire’s spirit woke
In the name of God and Spain.
Many moons have silver poured,
Many surfs have ebbed and roared,
Myriad changes have set seal;
Countless hopes have sunk and soared
Since the sand felt Serra’s keel;
Spanish bugles sang and died –
Mexic conquest flowered – to fade –
Where a younger martial pride
Hears the Eagle’s anthem played.
And the gnarled tree sadly heard
Knell of change, from breeze and bird;
So its faithful heart of oak
Slowly–sadly–surely–broke.
Time had breathed the fatal word.
Fading like the rose-touched past
And its genesis–it failed,
Craving pity, at the last,
For the death-stroke that it hailed;
And borne thence that it might rest,
In conservative kind shade,
By the Mission church walls made,
Where Life slumbers on Death’s breast.
Lonely wraith, some see it yet,
Like the past’s earth-bound regret,
Sunset gun and clear taps gave
Honors of a soldier’s grave,
To a sentinel who wooed
Winds that battled–storms that brewed;
While its hardier brother-train
Flourishes as vernal still,–
Curious eyes may search in vain
For that Oak beside the hill,

This is a period postcard of the monument to Serra’s first mass. Tilden’s profile of Serra is at the center of the cross. A relief of the mission is at the base.
Vacancy–where once it rose
Centuries beneath the sky;
‘Til came one* who saw, and chose
That a memory should not die,
And a white shaft guards the fame
Of a little oak at rest–
Cenotaph that yet shall claim
Kinship with the old world’s best ;
But for this there would not be
(In a world which can forget),
Aught a memory of that tree;

News article on the monument from 1962.
Thus one rare link of romance,
Golden chain the young world wore,
Slipped past ken of careless glance;
Still–-beside the fairest shore:
Measuredly the sentries pace–
Past the old time-haunted space;
Changes steal across Time’s face,
The old order is no more:
Round the dream-environed place
Fuller life more quickly streams,–
Ah! old leisure, dying grace,
Must decay touch all our dreams?
*Mr. James A. Murray
OF THIS POEM, THE PASSING OF AN OAK, BY MARY SULLIVAN SPENCE, TWELVE COPIES WERE DONE FOR MRS. JAMES A. MURRAY, FOR PRIVATE DISTRIBUTION, BY PAUL ELDER AND COMPANY. PRINTED BY THE TOMOYE PRESS, SAN FRANCISCO, UNDER THE DIRECTION OF J. H. NASH, DURING THE MONTH OF DECEMBER, NINETEEN HUNDRED AND NINE.